Winemaker Groupie – Is It the Life for You?

Nobody raises an eyebrow if they see a fan getting his book or concert program signed. If Meryl Streep or Daniel Craig is asked for an autograph, it is a natural course of events. But what of wine and the winemaker: is it ok to ask a vintner to sign to your bottle?

Winemaker

So I pondered during the recent Domaine de la Romanée-Conti media tasting at New York’s A Voce Columbus.  The featured speaker was Aubert de Villaine, the courtly French co-owner and winemaker of DRC, widely considered the most sacred Pinot Noir ever to ferment its way into existence.  After we tasted through the 2010’s, which included pulse-quickening renditions of La Tâche and Romanée Conti, as well as, of course, the ethically proper abandonment of my spit cup, I threw caution to the wind and approached Aubert. Preternaturally unassuming, he gamely agreed to sign my bottle and did so with an appreciative smile, thereby creating a memento that shall grace my curio cabinet for the rest of my wine-moistened years.

Later I reflected on what it takes to make the most of approaching your favorite winemaker for such a bottle note, and here’s what I came up with:

Have a good marker ready. Don’t use just any pen – employ a Sharpie for its permanence and then choose a color such as purple or burgundy to lend visibility and uniqueness. For a dark label, go metallic gold or silver.

Have an inscription in mind. Unlike authors or actors, winemakers don’t necessarily come equipped with witty inscriptions.  If you don’t premeditate something for them to write, you might be left with only a lonely signature, which just isn’t making the most of your effort or the bottle’s potential impact. During the tasting, Aubert had talked of how great wine gets that way when grapes can achieve a fine ripeness he called “finesse de maturité”.  And there, in that poetic phrase, an inscription for my bottle was born.

Make it a special bottle. Even if I had wanted to use an empty 2010 bottle from the tasting, I wouldn’t have dared, for fear of freaking out DRC’s importer, Wilson Daniels, whose reps rushed to scrawl an “X” over the label of each emptied bottle so as to discourage counterfeiting.  Who can blame them when you consider how connoisseurs have been duped by the likes of scoundrels such as recent faker extraordinaire Rudy Kurniawan; one expert told me that just one empty bottle of Romanée Conti could be worth thousands of dollars on the black market.

incredibly, the two middle numbers have not been transposed

Fortunately a month before this tasting, I took part in a nine-person dinner vinously catered by not one but two legendary collectors. For a grape nut, this is the rarest of planetary alignments, like being afforded access to the music collection of Brahms and Beethoven. Among his show-stopping offerings the first collector brought the dessert wine Château d’Yquem from the unfathomable vintage of 1893 (incredibly, the middle two numbers have not been transposed) which still had plenty of lemon-vanilla intensity despite its century-topping slumber in glass.

 

The other collector’s contributions included the 1996 Leflaive Montrachet, one of the rarest and most coveted Chardonnays ever made, and two bottles each of 1990 La Tache and 1990 Romanée Conti, both Picassos of Pinot whose current auction price I resisted Googling for fear of setting my computer’s keys ablaze.  The day after this epic repast, I knew that the right thing to do was to ship home one of the empty bottles of Romanée Conti.  

This of course wasn’t the first time I saved an empty bottle for sentimental purposes.  As detailed in this New York Times piece and in this lighthearted video, I was sent to New York criminal court for walking the streets with an unloaded bottle of 1970 Château Palmer.  It is one of those truth-is-stranger-than-fiction stories, recounted in amusing detail in this official court transcript.  When last fall I had the opportunity to have dinner with Château Palmer’s CEO Thomas Duroux, I had him inscribe a bottle of the ’70 Palmer with the rallying cry from the above video, “Libérez Oldman!”

Winemaker

My first foray into winemaker worship happened as a college student when I co-founded the Stanford Wine Circle and convinced the mythic Robert Mondavi to come to campus to lead a tasting of his To Kalon Vineyard Cabernet Sauvignon. After his presentation, Wine Circle members lined up with the determination of sample-sale seekers to have an empty bottle from this tasting signed by this vintner hero. Bursting with ruddy enthusiasm, Mondavi basked in the attention, any trace of his octenegarian years vanishing in the presence of the event’s adoring coeds.  And like a Cab-craving Richard Dawson, he kissed every one of them.

My own tribute to the man came in the form of having him sign a bottle of the then-acclaimed 1985 Mondavi Cabernet Reserve, which I had sourced with the help of the winery’s San Jose rep; we located what seemed like the last bottle on Earth hidden under egg grass in the display case of a trinket shop at SFO airport.

So the message here is not to hesitate engaging in your own winemaker groupiedom. Find a wine you love and discover who is behind it.  Visit the winery or attend a winemaker dinner and get your bottle signed with a message meaningful to you.  Not only will it pay due tribute to a talented soul, but it will forever bond you to their work.  It may also inspire you to follow that wine throughout the years, noticing how each vintage can bring intriguing flavor and texture variations – the observance of which is one of the great joys of wine appreciation.  Never forget that winemakers are as deserving of a place on your shelf of memories as any musician or actor.  Actually, they might be more deserving, because winemakers aren’t just artists; they are artists who get you buzzed.

Ethics in Wine, Rule 22: when tasting DRC, this is exactly how much you should use the spit cup

2010 DRC TASTING – MARCH 2013
Domaine de la Romanée-Conti Corton 2010
Domaine de la Romanée-Conti Echézeaux 2010
Domaine de la Romanée-Conti Grands Echézeaux 2010
Domaine de la Romanée-Conti Romanée-St.-Vivant 2010
Domaine de la Romanée-Conti Richebourg 2010
Domaine de la Romanée-Conti La Tâche 2010
Domaine de la Romanée-Conti Romanée-Conti 2010
Domaine de la Romanée-Conti Montrachet 2010

COLLECTORS’ DINNER – FEBRUARY 2013
Domaine Leflaive Bâtard-Montrachet 1996
Domaine Leflaive Montrachet 1996
Domaine de la Romanée-Conti Montrachet 1996
Domaine Dujac Romanée St. Vivant 2006
Domaine Dujac Romanée St. Vivant 2007
Domaine de la Romanée-Conti La Tâche 1990
Domaine de la Romanée-Conti Romanée-Conti 1990
Château d’Yquem 1893

Secrets (and Key Wines) For a Smash Hit Oscars Party

Austin FOOD & WINE Festival Q&A with Mark

Are you just as excited as we are to see which films take home Oscar gold during tomororw’s Academy Awards? Maybe you’ve planned a party with friends to celebrate the cinematic evening? No matter your viewing preference, we’ve recruited wine expert Mark Oldman to share his 2013 Academy Awards Wine Guide. What does that mean? He compares each of his top picks for Best Picture to a certain wine and points you in the direction of a specific bottle.

So, whether you’re rooting for a certain film or just looking to set the stage for your get-together, sit back and enjoy Mark Oldman’s drinkable guide to the Oscars. And because who doesn’t enjoy a delicious appetizer alongside their red, white or bubbly — he shares an hors d’oeuvre secret that’s sure to impress any guest.

AFWF: You have an admitted interest in how wines have played a role in notable movies throughout history. With that in mind – and given the fact that it’s Oscar Week – how would you compare your favorite films nominated for Best Picture to certain wines?

 

Argo: Champagne

This Affleckian flick deserves association with Champagne for its depiction of international intrigue leavened with displays of over-the-top, Hollywood-style glamour— a combination that Champagne and its attendant lifestyle have long manifested. Note that it is only when the characters have departed Iranian airspace – and the flight attendants then announce that alcohol consumption is no longer illegal – that they are truly safe andproceed to pop a celebratory bottle of Moët.

Recommended: Moet & Chandon Brut Imperial NV ($38)

 

Django Unchained: Shiraz from Australia

Like Quentin Tarantino’s latest, Australian Shiraz arrives on the scene with guns-a-blaze, exciting and extravagant in its richness and range of plum-and-mocha-inflected flavors.

Recommended: Paringa Shiraz 2010 ($10)

 

Lincoln: Cabernet Sauvignon from California

Like the 16th U.S. President himself, classic versions of this wine show depth (typically black currants, smoky oak, and moderate tannins), history (being California’s longstanding showpiece red), dignity, and complexity.

Recommended: Beringer Knights Valley 2009 ($30)

 

Silver Linings Playbook: Dolcetto d’Alba from Italy

Like this edgy-but-charming Bradley Cooper tour de force, good versions of Dolcetto (a tangy, medium-bodied red) can be a bit bitter upfront but ultimately finish with lip-smacking exuberance.  

Recommended: Ceretto Dolcetto d’Alba Rossana 2010 ($28)

 

 

Beasts of the Southern Wild: Wine from Red Hook Winery

With this movie depiction’s of a tiny hero desperate to save her ill father and sinking home, we find parallels in the brave plight of Brooklyn’s Red Hook Winery, which was pummeled by Hurricane Sandy and has been fighting to recover ever since. 

Recommended: Any bottle listed here.

  

Amour: That Special Bottle You Haven’t Opened Yet

As the film reminds us how love can be tested and how beauty can fade before our eyes, we must apply these lessons to our own lives and open that special bottle now. You and I have already waited too long.

Recommended: Any special occasional bottle you have on hand.

 

AFWF: Given your “unpretentious over-delivery of pleasure” approach to at-home entertaining, what would be your key ingredient to an at-home Oscars soiree?

My English friends Sarah and Marcus Oliver have mastered the art of the Oscar party, and one secret of their success is that they ask people to dress up. Having everyone gathered in red carpet garb creates ebullience in the room and adds to the vicarious pleasure of the evening.

To keep things from getting too formal, however, they offset all of the fancy dress with the most humble, toothsome treats that you’ve ever laid your lips to: crispy, glazed English mini-sausages. These links are so coveted by guests that the party’s invitation now carries the assurance: “Yes, there will be mini-sausages.” In a recent email exchange, I persuaded Sarah to reveal more about how she and Marcus prepare these luscious logs of love:

secrets

  1. If possible, use the fresh sausage called chipolata; it can be sourced from the British grocery store Myers of Keswick
  2. Roll the meat so that each sausage is just about an inch in length
  3. Glaze each link with a mixture of honey and mustard
  4. Broil the sausages they are “really brown and sticky”
  5. Serve with a good Prosecco

AFWF: Are you especially rooting for any contender (in any category) in particular?

For me, Zero Dark Thirty was unforgettably arresting, sending me into the night with surging adrenaline and in desperate need of a Blackhawk to board. I found Jessica Chastain’s portrayal of the relentlessly driven Maya particularly memorable. The moment Maya tells the CIA Director, “ I’m the motherf—– that found this place, sir,” Chastain won my vote for Best Actress.

AFWF: Lastly, what can Festival-goers expect to learn from your “Cinema Vino: Wines from the Movies” demo at the 2013 AFWF?

Like with all of my appearances, I aim to make this demo uncommonly illuminating and humorous – and, as an editor at Food & Wine magazine once described of my seminars,“like one big party.”

Corkscrews Just Became Cool

Corkscrews Just Became Cool: Last month I happened upon this phenomenal corkscrew after a doing a random search of Etsy.com, the online storefront for handmade and vintage goods.  Hand forged from an actual railroad spike, it is the perfect low-tech combination of style and rawness.  I was so taken with it that I immediately placed an order for four of them: three as holiday gifts and one for myself, engraved, appropriately enough, with “Drink Bravely”.

cool corkscrews

It is is made by “Hightower,” a doo-ragged, Michigan-based gentleman who clearly knows his way around an anvil.  The corkscrew is $45 before shipping, a reasonable price to pay for a vinous instrument of such singularity and impressiveness.  Built into it is also a lever that serves as a bottle opener.  Hightower will engrave initials or a phrase onto it at no extra charge. Have corkscrews ever been this cool? Don’t think so! Check out the Etsy shop for more cool corkscrews.

It’s to imagine a cooler wedding, birthday, or Father’s Day gift for the wine inclined.  Check it out here.

A Liquid RUSH with Hall of Fame Inductee Alex Lifeson

The Rock and Roll Hall of Fame became a credible institution today as it finally — finally! — announced its intention to induct legendary rockers RUSH.  A high raise of the chalice to these fine Canadian musicians for trailblazing their unique path to success without ever having to compromise their artistic vision and integrity.  And as their new album, A Clockwork Angels, demonstrates, they are rocking harder, looser, and funkier than ever before.

Rock and Roll Hall of Fame

In hopeful anticipation of the overdue Rock Hall honor, I launched this Drink Bravely video with guitar virtuoso and wine collector Alex Lifeson two days ago.  The video has already garnered thousands of views, and as you’ll see, his fascinating home cellar includes everything from Côte-Rôtie from France’s Rhone Valley to Madeira from Portugal to Australian Shiraz to Swedish Aquavit, all of which, you might note, would make an excellent holiday gift for the wine lover (and Rush fan) in your life.  So catch the mystery, catch the drift: Liquid Rush: Digging Into Alex Lifeson’s Wine Cellar.

Aspen Meets Red Pleather, 1982 Wine, St. Regis Service, Taters, #NYCWFF

Aspen FOOD & WINE Classic, how you enthrall with crystalline skies, storybook mountains, megawatt culinarians, and kaleidoscopic memories, culminating this year in a concert by Elvis Costello and delectable morsels by chefs Michel Nischan and Mario Batali.

aspen

June marked my seventh straight appearance at the Classic, where I taught four times, covering “Standout Sparklers,” “Outsmart the Wine List,” and ”Classique C’est Chic: Modern French Cuisine,” the last being a Lexus-sponsored seminar I presented with Michelin three-star chef Christopher Kostow. At the bottom of this page I list my seminar wines, all chosen with care by a tasting panel of friends that I assemble each year.

This being the Classic’s 30th birthday, I wanted to do something special for my always fired-up audiences. In addition to distributing custom “30 Years Never Tasted So Good” buttons, I shipped to Aspen a bit of 30-year old wine – i.e., 1982 vintage — from my personal stash. For my bubbles seminar I brought bottles of Joseph Perrier Champagne Brut Royale 1982, which I had sourced at a London wine shop, which is where you’d expect to find it given the English propensity towards Champagne with the hazelnut quality that comes with bottle age. For my wine list seminar I served bottles of Chateau La Croix 1982, a still-lush red Bordeaux which I had discovered through a Hart Davis Hart auction. Adding to these bonus bottles were magnums of Jordan Cabernet Sauvignon 1982, secured through Jordan Winery’s fabulous Lisa Mattson.

    

In addition to marking the Aspen Classic’s 30th anniversary, 1982 is itself one of the most important vintages of modern wine. It signaled the beginning of a new era of quality winemaking in Bordeaux, as identified at the time by Robert Parker, who rocketed his reputation as wine critic by praising the vintage unequivocally. His enthusiasm and the overall excitement surrounding the vintage inspired legions of new oenophiles, so much so that the New York Times’ Frank Prial wrote that “the vintage changed that the way the world thinks of fine wine in general and of Bordeaux wine in particular”.  Wine Spectator’s James Laube has added that that this “breakout vintage” also marked when California wine started coming into its own, an observation well-supported by the still-bright, velvety ’82 Jordan Cabernet.

With 1982 a milestone for both the Classic and for wine generally, I knew I had to find a way of further celebrating its importance. So I resolved to assume my teaching duties dressed as a music star from that year. Michael Jackson? Too obvious. Tommy Tutone? Too mysterious. Hall & Oates? Too numerous. I finally concluded that there was only one way to rock, and that was as arena-rocker Mike Reno, of Loverboy and “Working for the Weekend” fame, a bastion of head-banded machismo and red-pleathered ridiculosity.

Speaking of the latter, the “Charades”-brand pleather pants I bought in New York lasted only one seminar before becoming prematurely threadbare in all the wrong places. So with multiple seminars ahead of me but the lower half my 80’s-ensemble out of commission, I scrambled to the Internet to find another pair of these terrible trousers.

Finally locating them at one Costume Alibi in Bloomington, Indiana, I got on the horn and begged the saleswoman there to overnight me two pairs (one for immediate use and one in case of a repeat ripping). Hearing the alarm in my voice, she assured me that she would walk them over to the shipping department herself. As I revealed to her the name and address of my hotel, I could only imagine what she was thinking: a panicked guy calls her to have two pair of tomato-red pleather pants FedExed to the St. Regis in Aspen.

“Billy,” she must have snickered to a colleague, “Looks like we got another one of those Eyes Wide Shut-type orders”.

You can learn more pleathery details about my seminars here:
Grand Junction Daily Sentinel
Aspen Times
Fox News (National)
5280: Denver Magazine
Aspen Daily News
Denver Westward
GenConnect (with Richard Betts and John Terlato)
PLUM TV

On the subject of the St. Regis, I can’t say enough about this magnificent hotel and its helpful staff. And I do mean helpful. On my second night, just as I was descending into hibernatory, Ambien-induced slumber, I found myself dialing room service for a hamburger and tater tots. Half asleep or not, who can resist a midnight trough of high-end tater tots when it is only a few phone buttons away?

When I awoke the next morning, beside me on the bed was the room service tray — fancy flower undisturbed, aluminum lids untouched. As I dug into the mound of cold taters, I vaguely remembered ordering the meal, but had no recollection of opening my door to room service. In fact, I realized, I was long asleep by the time the taters and their transporter must have arrived.

The mystery of how the tray got into my room and onto my bed was solved at lunchtime, when I called in another meal before teaching my afternoon seminar. The room service lady, a Susan Saradonian type with a Stalag 17 accent, smiled knowingly and explained: “I got a kick out of delivering to you last night. I didn’t know whether to tuck you in or not.”

Really? Hey now. Part of me felt embarrassed, but the better part was, I must admit, intrigued.

No matter what happened, we might just say that this episode brings new meaning to the idea of “service at the St. Regis”.

Sartorial Sultan

I had the good fortune to share the ride back to New York with a grouping of gastro greats, including Drew Nieporent, Jonathan Waxman (whose roast chicken remains the Platonic ideal), Michel and Lori Nischan, and Marcus Samuelsson. Earlier in the weekend Marcus had tweeted a photo of us each dressed in our Aspen finery, which was a special honor given Marcus’ status as the sartorial sultan of celebrity cheffage.

If you haven’t yet dug into Marcus recently-published memoir, “Yes, Chef,” it is a riveting read which reveals, in Aquavit-clear prose, what it takes for an Ethopian-born, Swedish-raised chef to become a world-class restaurateur and brand.

NYCWFF: Wine, BBQ, and You

Good taste takes New York by storm in just a few weeks with the fifth-annual Food Network New York City Wine and Food Festival. I’m co-teaching “Pickles and Marinades-the Korean Way” with Roy Choi, the LA-based impresario of Korean-inspired delectables; check out this video I did about two years ago from one of Roy’s famous Kogi trucks. And speaking of pioneering BBQ, I’m also teaming with Blue Smoke executive chef Kenny Callighan for a seminar that pairs wine with the restaurant’s spectacular grilled goodness. Both seminars are nearly sold out, so don’t hesitate to grab the remaining spots here.

Appendix: Wines from My Aspen Seminars

STANDOUT SPARKLERS
Iron Horse Wedding Cuvée Green Valley of Russian River Valley 2007 (California)
Sumarocca Cava Brut Reserva NV (Spain)
Giulia Ferrari 2001 (Italy)
Movia Puro Brut Rose 2002 (Slovenia)
J Brut Rosé Brut NV (California)
Donelli Lambrusco Reggiano Amabile NV (Italy)

OUTSMART THE WINE LIST
Les Crêtes ‘Neblu’ Spumante Brut NV (Italy)
Feudi di San Gregorio Falanghina 2010 (Italy)
Crios de Susana Balbo Malbec Rosé 2010 (Argentina)
Georges Duboeuf Morgon Jean Descombes 2010 (France)
J. Hofstätter Lagrein Alto Adige 2010 (italy)
Duorum Douro 2008 (Portugal)

CLASSIQUE C’EST CHIC: MODERN FRENCH CUISINE
(All from M. Chapoutier, Rhone, France; selections made by Anthony Giglio)
Crozes-Hermitage Blanc “La Petite Ruche” 2010
Hermitage Rouge “Monier De La Sizeranne” 2007
Banyuls, Vin Doux Naturel Rouge 2009