Prosecco and Champagne’s Other Bubbly Stunt Double

Cava is Champagne's Alter-EgoJust as Hollywood stars have doubles, so does Champagne. And one of the best bubbly stunt doubles is Spanish Cava.

The less expensive Spanish sparkler is a delicious alternative to France’s hero. Look for the coal-black bottle at your liquor store or supermarket, with labels expounding names like the ubiquitous Freixenet (Fresh-shun-NETT) Cordon Negro Cava, Cristalino Brut, Paul Cheneau, Brut Blanc de Blancs, Sumarocca Brut Reserva, Segura Viudas Aria Brut.

Cava, the Spanish name for sparkling wine, delivers bubbles at less than half the price of French Champagne. Though it’s made in the traditional bottle-fermentation method like Champagne (and finer American sparklers), it spends less time aging on its lees (i.e., dead yeast cells) than Champagne, which gives it less of a yeasty, baked-bread bouquet and more minerals, earth, and mushrooms. The use of lesser-known Spanish grapes helps keep prices down, but not quality.

Cava is a truly unique experience, just as stylish and celebratory as Champagne and Prosecco. Think of it as the mysterious cousin from out of town–the femme fatale of sparklers.  Many are under $10. For an affordable gift with serious bling-bling, track down Segura Viudas Reserva Heredad ($20), a hand-blown bottle tricked out with a silvery metal crest and coaster. Salud!

For a full list of alternatives to Champagne, check out my latest book,How to Drink Like a Billionaire (Regan Arts), and remember to drink bravely, drink richly, and #DrinkLikeABillionaire.

You’ve Been Opening Champagne the Wrong Way…Forever

adobe-spark-3What is it about opening a bottle of bubbly that channels the savage beast? Some see a mini howitzer in every Champagne bottle, forever aiming the cork at the nearest chandelier. Others want to shake and spray their bottles without any thought to wasting this golden elixir. It’s time to mute the mayhem and open bubbly with the safety and style that this supernal beverage deserves. Follow my six steps to siphoning that cork from the bottle without losing one fermented drop.

  1. CHILL – Coldness minimizes the pressure in the bottle so make sure it’s super cold.
  2. PROTECT – Always point the bottle in a safe direction and keep a thumb over it during the entire opening process.
  3. STRIP – Peel the foil and unwrap the wire cage covering the cork, sliding it off with your thumb still at the ready.
  4. COVER – Slip a towel or cloth napkin over the bottle’s neck. This will help you grip the cork and catch it in the event of a premature eruption.
  5. TURN – Holding the bottle at a slight angle, grip the cork firmly through the towel. Then, with your other hand, turn the base of the bottle slowly in one direction.
  6. PUFF – Your cork will “puff” open, preventing spillage and any midnight trips to the emergency room.

Now that you’re equipped with a foolproof method for popping a celebratory bottle, check out my latest book and find alternatives to Champagne for your next occasion in How to Drink Like a Billionaire (Regan Arts).

Salon: The Secret "Cult Champagne"

Have you ever heard of cult champagne? When wine lovers rhapsodize about “cult wine,” they are typically talking about ultra-high quality, small-production California cabernet sauvignon blends like Screaming Eagle or Araujo Estate or a few other rare reds from around the world, such as Le Pin from Bordeaux or Pingus from Spain.

cult champagne

But who has ever heard of “cult Champagne”?

Prestige cuvées like Taittinger’s Comte de Champagne, Veuve Clicquot’s La Grand Dame, and Moet & Chandon’s Dom Perignon, despite their exalted reputations, are hardly produced in the microscopic quantities that qualify for cult status; indeed, DP is rumored to have a production run exceeding 100,000 cases annually.

And then there’s Champagne Salon, which sees an annual trickle of just 6,000 six-bottle cases, released only three or four times each decade.  Rap songs don’t refer to it.  Its packaging is far from bling-y, unlike, for example, Cristal’s gloriously translucent bottle or Dom Perignon’s sexy black curves. In fact, the “S” marking Salon’s label symbolizes, for me, the notion of singularity: there is but one version, made from a single grape (Chardonnay) and a single vineyard, the fabled Le Mesnil.  There is no rosé bottling, no non-vintage cuvée, no sweet version – as all of Salon’s eggs are in one basket.

And what a fine creature these eggs make. Because Salon originates from 100% white wine grapes that are grown in uniquely chalky soil, it typically enters the world with a lean, citrusy, sometimes steely quality – refreshing for sure, but hardly the nirvana of nuance it will be capable of achieving down the road.

Indeed, Salon needs time to strut its stuff, even though it ages at the winery for a minimum of eight years before release. Whereas many cult Champagnes are at or near their peak when young, Salon invariably improves with at least a decade or more of bottle age. When I visited the winery last year, the 1996 Salon ($225-275/bottle) proved itself just this kind of monument in the making: appealingly crisp and pure, but not yet showing the sublime subtleties that age will bring.  In contrast, when I tasted the 1990 ($400-$450) a few years ago in California, it displayed a complex nose of almonds and baked bread and honey, balanced beautifully by an apply goodness and a racy vein of acidity – the essence of cult Champagne at its shimmery best.

cult champagne cult champagne cult champagne

Published in the October issue of Number Wine, a terrific new wine magazine distributed in Europe.

A Splendid Spin in Aspen

Report from the 25th annual FOOD & WINE Classic in Aspen.

aspen food & wineoldman aspen oldman food & wine

The old airplane’s propellers groaned and wheezed like a wounded beast.  While my seatmate (a chef from the Midwest) and I tried to distract ourselves by talking about much we were looking forward to this year’s Food & Wine Classic, I couldn’t help wondering why a blue-chip airline like United was flying such a shanty prop plane from Denver to Aspen.  Shouldn’t an illustrious destination like Aspen merit the airline’s best commuter jets, or at least ones with engines?—not a rickety propeller job, the kind of 70’s jungle jumper you’d have seen ferrying Jim Jones’ disciples on a one-way trip to Guyana.  There wasn’t even toilet paper in this jalopy’s bathroom – just a lonely, half-used box of Kleenex lying next to an outhouse potty hole.

The turbulence intensified as we started our initial approach into Aspen.  As the nose of the plane pitched down in a Kamikaze dive, my seatmate and I slid down in our seats, stretching our legs under the seats in front of us as if trying to reach an invisible break pedal.  And then, in an unexpected and poignant moment of primal desperation, she and I – two total strangers – clutched each other’s hands, waiting for the final death plunge.

It didn’t happen, of course, and comic relief came in the form of a preternaturally relaxed Drew Nieporent, stretched out behind us like the cool kid in the back seat of a school bus.

“Ah, this is nothing,” the insouciant and kingly restaurant impresario declared, “I’ve been on far worse flights to Aspen.”

His words helped a bit, as did the thought that with Todd English, Marcus Samuelson, and other super-chefs on board, an unplanned “forest landing” would have made one hell of an obit.

We survived – sweaty, shaky, and grateful to be on terra firma — in a paradisiacal place of azure skies, verdant hills, and bountiful wine, no less.  And things only got better from there. Speaking at the Food & Wine Classic was an unalloyed pleasure.  I developed two new seminars for the Classic – “Sparkling Substitutes” (i.e., non-Champagne bubbly) and “Looks like Red Wine, Acts Like White” (light reds), each taught twice.

The audiences couldn’t have been more enthusiastic and wine-curious.  We had great fun from start-to-finish, whether it was performing a group chant to pronounce Gewürztraminer (“Guh-vurtz” and “tra-me-ner”) or laughing about rap-star Ludacris’ admonition in my book not to “guzzle one’s Cristal”.

My fellow speakers were the best in the business, including Best Cellars guru Josh Wesson, whose attendance at my red wine seminar was a special treat, as the spirit of his classic tome, Red Wine with Fish, fit perfectly with the subject matter. And how often does one get to the opportunity to exchange sartorial advice with Tony Giglio, as much a maven of pocket squares as he is of the imbibable.  And it is always a delight to visit with the über-talented Lettie Teague, Food & Wine’s executive wine editor, whose new book, Educating Peter, is as scintillating as her columns in the magazine.

To ensure that the wine at my seminars would be well received, months ago I had assembled a “Civilian Tasting Panel” – nine non-wine-pro friends who helped me blind-taste over 70 selections of both non-Champagne bubbly and light reds. This made for two memorable, wine-soaked evenings, where we sat around a long wooden table like a big Tuscan family, slurping and sloshing and giving honest, off-the-cuff reactions to the wines.

The favorites that emerged from these tastings became the line-up for my seminars in Aspen.  They are all fetching sips for summer:

“Looks Like Red Wine, Acts Like White”: Light Reds 

  • Ponzi Pinot Noir Willamette Valley 05
  • Duboeuf Julienas Domaine de la Seigneurie 05
  • Domain Bailly-Reverdy Sancerre Rouge 04
  • Remy Pannier Chinon 05 * Chapoutier Crozes-Hermitage Petite Ruche 04
  • Bodegas Nekeas Vega Sindoa El Chaparral 05

[Note: these light, low-tannin reds are all chillable.]

“Sparkling Substitutes”: Non-Champagne Bubbly

  • Mionetto Sergio Extra Dry NV
  • Schramsberg Blanc De Blancs 04
  • Brüder Dr. Becker Scheurbe Sekt 04
  • Llopart Leopardi Brut Rose 03
  • Hill of Content Sparkling Red NV
  • Ceretto Santo Stefano Moscato D’Asti 05

Devastate Your Friends on New Year’s Eve: The Kit

To coincide with my seminars at the 25th anniversary of the FOOD & WINE Classic in Aspen this weekend, I am auctioning off a very special “Devastate Your Friends on New Year’s Eve” Kit. All proceeds go to FOOD & WINE’s Grow for Good campaign to raise $1 million for Farm to Table, a national initiative dedicated to encouraging sustainable agriculture and increasing people’s access to locally-grown foods.

Mark’s “Devastate Your Friends on New Year’s Eve” Kit

Be the vinous hero among your friends when you serve these rare gems straight from Mark’s personal collection.  Before and during the ball drop, you will enjoy a fascinating face-off between two best-of-breed Blanc de Blancs Champagnes–one from a top “indie producer” and theother from a legendary Champagne house.  The first is a magnum of the stunning no-dosage Grand Cru Cramant from Guy Larmandier, the marvelous artisanal grower-producer whose Champagnes are mostly only obtainable at auction.  The other, the Taittinger “Comtes de Champagne” Brut Blanc de Blancs, hails from the splendid 1996 vintage and has received ecstatic praise from top wine critics.

As you and your guests savor the first hours of the new year in a state of bubbly bliss, you will cap the evening with divine nectar from Austria- the ultra-rare Nittnaus Trockenbeerenauslese Neusiedlersee Pinorama 1995.  Your guests will marvel at both your ability to pronounce the unprounceable [TRAWK-uhn-bay-ruhn-OWS-lay-zuh] and how such a delicate dessert wine can offer so much complexity – a rapturous swirl of honey, orange, apricot, and chocolate, buttressed by a racy vein of acidity. To master these wine types and many others, we are including a signed copy of the best-selling Oldman’s Guide to Outsmarting Wine.

  • Guy Larmandier Grand Cru Cramant Blanc de Blancs Champagne NV (1500ml magnum)
  • Taittinger “Comtes de Champagne” Brut Blanc de Blancs 1996 (750ml)
  • Nittnaus Trockenbeerenauslese Neusiedlersee Pinorama 1995 (375ml)
  • Signed copy of Oldman’s Guide to Outsmarting Wine (Penguin)